Instructions

Alternate sections are marked Say and Play. The Say sections are spoken or sung to an improvised tune in a stentorian and condescending manner, as a traffic court judge lecturing a recidivist speeder. Read as though the text makes perfect sense, even though its grammar and meaning may make sudden, unexpected turns.

The Play sections use an ordinary five-line staff with oval note heads () interspersed with diamond () and cross () note heads. Play in a manner that contrasts with the lecturer's attitude. Be mocking or solicitous or calm or resigned or anything else appropriate.

• I've used bar lines set off groups of notes. Groups should be observed by accent, phrasing, pauses or some other way.
• The cross () indicates some non-standard noise, like a multiphonic or a strum behind the bridge or a dropped drumstick or a cheese-grater arpeggio or something else. Use your imagination.
• The diamond () indicates a note that is one semitone (in either direction) different from the preceding note.
• Rhythm, tempo and dynamics are entirely up to the performer. Since no clef is specified, you can pick that as well.

You can play in concert with other performers, who may play other versions of this piece, or other any other materials, composed or improvised. When playing with others, the Say sections should be performed as disruptively as possible, and the Play sections should be played sensitively, with utmost regard to enhancing the performance of the other players.

Score

Say: Multiple.

Play:

Say: There is a little over 11 minutes long. Mozart's Symphony No. 8 is a little editing.

Play:

Say: That's also your problem.

Play:

Say: Where did I allegedly not substantiated?

Play:

Say: On the contrary, you're the one is isn't a "decent person", so by your own admission. I'm doing exactly what you preach.

Play:

Say: Note: no response.

Play:

Say: I just pointed out the irony to you, but it should be.

Play:

Say: Incorrect; you've got it backwards. "He answer it himself."

Play:

Say: Classic invective, as expected from someone else, then that quotation was in the same kind of horse as Jim.

Play:

Say: So, you're not in a particularly good position from which to comment, are you?

Play:

Say: You've had plenty of time to post bait, Doe.

Play:

Say: Evidence, please.

Play:

Say: And throughout the discussion is occurring.

Play:

Say: Where is your objective evidence?

Play:

Say: How ironic, coming from the person who has never heard of you. How ironic.

Play:

Say: On what basis do you make that claim?

Play:

Say: Where's Wilma?

Play:

Say: So is the "right" length. However, as I just told you: to calibrate what you wanted.

Play:

Say: Where did the "[Duh]" come from, John? You've attributed it to be "masterworks".)

Play:

Say: On the contrary, the length of another piece that is based on the respondent!

Play:

Say: You could have, because I've been posting here for years. However, the probability of being noticed goes up considerably, and that happens when an antagonist like John Doe decides that it's too long for its own good does not necessarily make it any less of a job.

Play:

Say: It was to my discussion belongs in alt.usenet.kooks. If you look at the same presupposition.

Play:

Say: Now would you care to try for "how" or "why"?

Play:

Say: That's because the trombone section didn't get as lovely a solo as the "Armenian Dances" (both Parts I and II), and "El Camino Real"? Philip Sparke's "Music for a Festival" is another unsubstantiated and erroneous claim.

Play:

Say: I was discussing an American composer of classical music" thread.

Play:

Say: About John Doe.

Play:

Say: On the contrary, you were never arrested for posting "bait" the way John Doe decides that it's not long enough, therefore whatever direction you're trying to calibrate what you preach and play it on your part.

Play:

Say: Not in the same kind of articles does Jim write?

Play:

Say: I'm looking you up on USENET right now, and you turned on you.

Play:

Say: Rachmaninoff's "Rhapsody" and shorter than Bartok's "Concerto for Orchestra", to which I was discussing an American composer of classical music. If you look at the first place. Now, exactly who asked for information?

Play: